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Sarah Hall

Author

Sarah Hall

Sarah Hall was born in Cumbria in 1974. She received a BA from Aberystwyth University, Wales, and a MLitt in Creative Writing from St Andrews, Scotland. She is the author of Haweswater, which won the 2003 Commonwealth Writers Prize for Best First Novel, a Society of Authors Betty Trask Award, and a Lakeland Book of the Year prize. In 2004, her second novel, The Electric Michelangelo, was shortlisted for the Man Booker Prize, the Commonwealth Writers Prize (Eurasia region), and the Prix Femina Etranger, and was longlisted for the Orange Prize for Fiction. Her third novel, The Carhullan Army, was published in 2007, and won the 2006/07 John Llewellyn Rhys Prize, the James Tiptree Jr. Award, a Lakeland Book of the Year prize, was shortlisted for the Arthur C. Clarke Award for science fiction, and long-listed for the Dublin IMPAC Award. The Carhullan Army was listed as one of The Times 100 Best Books of the Decade. Her fourth novel, How To Paint A Dead Man, was published in 2009 and was longlisted for the Man Booker prize and won the Portico Prize for Fiction 2010. Her work has been translated into more than a dozen languages. Her first collection of short stories, titled The Beautiful Indifference, was published by Faber & Faber in November 2011. The Beautiful Indifference won the Portico Prize for Fiction 2012 and the Edge Hill short story prize, it was also short-listed for the Frank O'Connor Prize.

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Title:
How to Paint a Dead Man
Written by:
Sarah Hall 
Read by:
Philip Franks 
Format:
Unabridged CD Audio Book 
Number of CDs:
Duration:
9 hours 34 minutes 
Published:
February 01 2015 
Available Date:
February 01 2015 
Age Category:
Adult 
ISBN:
9781486258109 
Genres:
Fiction; Contemporary Fiction 
Publisher:
Bolinda/Audible audio 
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Format
Price
Bolinda price
AUD$ 39.95
AUD$ 39.95
 

Longlisted The Man Booker Prize 2009

'Beautifully realised ... Hall's prose is raw, surprising and often quite magnificent.'
The Sunday Telegraph

A Booker-longlisted novel of art, absence, loss and passion, from Britain's most exciting contemporary writer.

Italy in the early 1960s: A dying painter considers the sacrifices and losses that have made him an enigma, both to strangers and those closest to him. He begins his last life painting, using the same objects he has painted obsessively for his entire career – a small group of bottles. In Cumbria thirty years later, a landscape artist – and admirer of the Italian recluse – finds himself trapped in the extreme terrain that has made him famous. And in present-day London, his daughter, an art curator struggling with the sudden loss of her twin brother while trying to curate an exhibition about the lives of the twentieth-century European masters, is drawn into a world of darkness and sexual abandon. Covering half a century, this is a luminous and searching story, and Hall's most accomplished work to date.

'Her most satisfying [novel] so far ... Hall's use of language is remarkably rich and intense.'
The Observer

'A memorable novel ... Hall's brush strokes delicately add layer upon layer to her characters.'
The Sunday Times